DEAN CARTER - Call Of The Wild! - LP (sleeve damaged)

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Big BeatSKU: LP-HIQ028dam
filler

Price:
€19,16 €23,20

Tax included. Click here for delivery time outside DE / Lieferzeit in DE ca. 2-3 Werktage. Shipping calculated at checkout

Stock:
Only 1 unit left

Description

PLEASE NOTE:
this is a brandnew, sealed item, but sleeve has one bumped edge -> transport damage.

Dean Carter is the ultimate rock’n’roll anomaly. Just check out the picture on the front cover: a wild-eyed madman throwing a Presley-like stance, guitar by his side, with a sweptback do, and zebra-striped jacket to die for. The ultimate in rockin’ cool. Must be late 1950s, right? Uh-uh. How does 1968 grab ya?
There was a glut of sessions in late 1966 and early 1967 that produced a batch of pumped-up, crazed material, a handful of which escaped on Miller’s Milky Way label. ‘Run Rabbit Run’ was a bizarrely constructed yet insanely catchy dance tune, while ‘Rebel Woman’ parlayed a dark, brooding brand of garage rock. The flip to ‘Rebel Woman’ is possibly one of the finest examples of pure rock intensity ever committed to wax. When Miller suggested a cover of ‘Jailhouse Rock’, it was with the concept that it should sound like a riot really was going on. Elsewhere, the violent sound was only slightly toned down for stomping cuts such as ‘Black Boots’ and ‘Sizzlin’ Hot’.

Dean Carter is the ultimate rock’n’roll anomaly. Just check out the picture on the front cover: a wild-eyed madman throwing a Presley-like stance, guitar by his side, with a sweptback do, and zebra-striped jacket to die for. The ultimate in rockin’ cool. Must be late 1950s, right? Uh-uh. How does 1968 grab ya?
There was a glut of sessions in late 1966 and early 1967 that produced a batch of pumped-up, crazed material, a handful of which escaped on Miller’s Milky Way label. ‘Run Rabbit Run’ was a bizarrely constructed yet insanely catchy dance tune, while ‘Rebel Woman’ parlayed a dark, brooding brand of garage rock. The flip to ‘Rebel Woman’ is possibly one of the finest examples of pure rock intensity ever committed to wax. When Miller suggested a cover of ‘Jailhouse Rock’, it was with the concept that it should sound like a riot really was going on. Elsewhere, the violent sound was only slightly toned down for stomping cuts such as ‘Black Boots’ and ‘Sizzlin’ Hot’.

TRACKLISTING:

Side A
Jailhouse Rock / I Got A Girl / Sizzlin Hot / Love's A-Workin / Don't Try To Change Me / Call Of The Wild / Would You Believe

Side B
Mary Sue / Rebel Woman / Run Rabbit Run / You Tear Me Up / Black Boots / Dobro Pickin Man / Wandering Soul

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